Volvo’s new safety ad doesn’t show a single Volvo

Volvo's new film borrows the showroom walkaround format, then pixellates every car in it, because none of them are Volvos. They just carry safety systems Volvo invented and gave away.

Volvo Cars, The non-Volvo Walkaround, digital film, 2026
Volvo Cars, 2026.

Volvo has made a car ad with no Volvo in it. The non-Volvo Walkaround went up on the brand’s own YouTube channel on 31 August, and it borrows the format every showroom knows: the slow, reverent lap of a parked car while a presenter points at things. The cars on screen are pixellated, because none of them are Volvos.

That is the whole idea. Every vehicle featured carries a safety system Volvo invented and then handed to the rest of the industry. The film opens on the three-point seatbelt, designed by Volvo engineer Nils Bohlin and fitted to the brand’s cars from 1959, then works through the rear-facing child seat, the Side Impact Protection System, Blind Spot Information System and Pedestrian Detection with auto-brake. All of them are now unremarkable. All of them started in Gothenburg.

Åsa Haglund, head of Volvo’s safety centre, presents the film and is the only person in it. Life-saving innovations are “too important to keep to ourselves”, she said in comments carried by Creative Review, which first reported the campaign. Volvo puts the seatbelt’s toll at more than a million lives saved, though that has always been an estimate rather than a count, and the company dates its decision to share the design to 1959 while Bohlin’s US patent was granted in 1962.

Volvo has not published an agency or director credit, and the film points viewers to its own safety heritage page rather than to a product. There is no model, no price and no call to action.

The useful trick here is the format itself. A walkaround film is the dullest unit in automotive marketing, which is precisely why subverting it lands: the audience knows the grammar, so the twist does the work without a line of explanation. It is also a reminder that Volvo has spent decades turning an engineering habit into brand property, from the safety films to the stunt work of Volvo Trucks’ Epic Split. Owning a category virtue for sixty years is worth more than owning a feature for one model cycle.

Max Rottier

He plans, buys and reviews advertising for a living, and helps score campaigns on the site against the same five Crown Score criteria alongside other authors and contributors.