BBH sold a bitter as a luxury cream for eight years and took Boddingtons from 200,000 barrels to 850,000. Then the owners closed the brewery the advertising had romanticised.
Dyson's in-house team and director Will Dohrn take the CameraJet apart on screen. No smiling white teeth, no story, just the engineering that has to justify the price.
Comic Relief US and Quality Meats put the donor on screen instead of the child, and let a cast of reasonable adults explain why child poverty is not their problem.
Lauren Greenfield's casting-session film for Always won a Cannes PR Grand Prix and an Emmy, shifted attitudes in 150 countries, and started every argument about brand purpose since.
Boots has launched 'Give it Some Boots', a WPP-made platform that puts perimenopause, grey hairs and cancer treatment on screen, then finishes with a street dance to Nancy Sinatra.
Boase Massimi Pollitt gave the insult to a family of tin robots and sold instant mash to a nation of potato peelers. A review of the 1974 Smash Martians advert.
Betty White in the mud, an IPA Gold and 15.9% global sales growth. We review the Snickers platform that turned one repeatable sentence into sixteen years of measurable fame.
Publicis ran two words for seven years, ended it with a wedding watched by an estimated 23 million people, and sold more than 300,000 Clios in the UK. A full review.
Seven films, one ASA ruling and an agency change later, Nationwide's Dominic West campaign is the most effective piece of financial advertising in Britain. Here is the evidence and the verdict.
Fallon's drumming gorilla contained no product, no message and no apology, and it lifted Dairy Milk sales by around a tenth in the year after a salmonella recall.
From Paddy Power's Pistorius ad to Iceland's orangutan and the 2026 HFSS cases: the UK's most complained-about and banned adverts, what the ASA ruled, and the rule behind each one.